The plane is spiralling. You try to grasp at the controls, but they’re slick with the pilot’s blood, alternating black and orange in the frenzied cockpit. You can’t see the pilot’s face, none of us can, but we assume they meant well when they brought us all up here. This must have been part of the plan. Was crashing part of the plan as well, or were we supposed to prove our worthiness of flight by taking the reigns of the journey they set us on?
The sky is portentous; huge rolling white mountains of cloud, low and fast, moving across an otherwise unblemished amber twilight. ‘Revelations’ weather, everything drenched in eschatological anxiety. Stood facing the ocean, you look out to the fence about eight miles at sea. Sixteen white pylons stand rigid and foreboding. Occasionally a tongue of static discharge licks out across several of the towers.
We don’t know what the pylons are. Some have swum or sailed out to them, but none of them came back. The clouds continue to morph and stream above them, like a second angry shore. What are they protecting us from?
The city pulses and you feel the electrified veins creep in through your nose, your mouth, in the spaces next to your eyes and everything below. Hard crystals of sugar-bright coloured sound cascade in fractals, immediately shattering and reforging into new hues and different shapes, an eternal and shrieking phoenix of burnout, reanimation and galvanisation ad nauseam.
Somewhere an engine bristles between your legs. Somewhere your lenses catch the glare of aggressive marketing. Somewhere you pass by heartbreak and providence. Somewhere the gutter flows up over your eyes. Somewhere the gate vibrates off it’s hinges. Somewhere the broken vagrants howl in wounded songs of enlightened defeat. Somewhere you see it all from above. Somewhere you feel it all crash down from above. It is all pervasive and ephemeral. It is the flicker of sunlight reflected in a blinking eyelash. It is the burning titan above.